Tuesday, November 13, 2018

Lesson 7 - Are 'traditional subjects' still relevant in the education of today and tomorrow?


My daughter loves to paint – she is quite good at it but most importantly, she enjoys it. Once we took her to an arts gallery and she saw lots of paintings. Below each painting, there was the name of the artist and besides it was the price tag. She enquired about it – I explained that these artists sold paintings to earn money. Innocently, she asked, “Baba, why don’t they work like you do in an office?”. I replied that arts and painting was their ‘work’ and that it was the means to earning money for them, just like what I did in my office. Her eyes lit up and I could sense the wheels turning in that little, yet fertile brain of hers. I braced myself for what was coming.
Over the next few days, she started ‘selling’ her paintings – meaning, she started putting price tags on her work and insisted on holding impromptu exhibitions for guests who came home. The tags had no correlation to anything. Some paintings were for INR 300 and others were for INR 2000. She started talking to guests and tried to sell her stuff – during this process, she got asked questions like, “Why is this painting costlier than the other one, if it is small? Shouldn’t smaller be less expensive?”, “This painting has more colors and must have been difficult to paint – so why is it priced the same as the other one?”.
As she was answering these questions, she started adjusting the paintings’ price tags -  for things like how beautiful the painting looked, how large/small was the canvas, how much time/effort it took for her to make and what mediums/ colors she used. After a few more days, she started including things like the cost of the canvas and the colors used as a reference point in determining the cost. Later, I saw that she was changing the price tags – when I asked her the reason behind it, she said that a few paintings were not getting sold and she thinks it is because of the price – so she was reducing it for some paintings. Finally, I was amazed one day when I asked her the cost of a house she had created. She replied, “Who is buying it? If it is you, then the painting is INR 2000, if it is Poonam Tai (our maid), then it is INR 200”.
I said, “Asya, why should the painting price differ based on who is buying it?” to which she responded, “I know you have the money but she does not. So if she wants something, I will reduce the price for her.” In just a matter of days, she had learnt so many things on her own – economics & the law of supply and demand, behavioural sciences, demonstrating empathy, behavioural economics, mathematics and of course, arts! I did not think it was possible for a child to learn all these multi-disciplinary concepts in such a short span of time through the medium of painting – it was almost like several business school courses crammed into one, albeit with a lot of underlying practical edge to it.
My reflection: It is very difficult to pinpoint what and how children will learn through their life experiences. What was meant to be a simple arts lesson, devolved into a multi-dimensional learning situation! As I reflect on the education needed for tomorrow, I think it will be imperative to break down the silos of ‘subjects’ – in language class, you learn languages and in Maths, you do Maths. This is so archaic – through gymnastics, my daughter is learning geometry (shapes like pyramids to stand on each other, physics (principles of balance and weight) and biology (importance of stretching, need for nutrition). How I wish there were schools which just had ‘time-slots’ throughout the day and the actual content was determined very differently – based on say, a song that was being played on the road, or from the fact that a kid got hurt and blood was spilt on the floor. Such experiences are far more memorable for kids and can be used as learning moments for ‘lifelong education’ rather than the artificially created constructs taught in a structured manner.
This also reminded me of the epic book, Totto-chan (a must read for all parents with school-going kids and all teachers), by Tetsuoko Kuroyanagi, wherein the Headmaster teaches kids based on actual events. For example, he tells them about flora and fauna from different surroundings by asking them to get ‘one thing from the sea and one thing from the hills’ for lunch and the class has a great discussion on the sea and hills! Similarly, a walk through the garden after lunch helps the kids not only to digest food but learn about flowers and plants in a playful environment. He also uses a ‘visit to a ghost temple’ as a means to remove the fear of ghosts and demons from the minds of kids. The Headmaster truly redefined what ‘teaching and learning are’ – the best learning happens outside the formal classroom, textbook and maybe even outside the school?

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